It’s time to let everybody take a peek behind the curtain. Today I’ll be talking about retouching and sharing my views about how it relates to wedding photography.
I one had this bride who was getting her makeup placed on her face and I stared deeply at her face and it was PERFECT. I couldn’t find a single flaw. And then I got her images of the close up of her face and hidden acne, dead pores, crow’s feet and other issues. The problem is in a nutshell digital camera lenses are too sharp for their own good, and they are unforgiving. One of my recent brides was in her mid 30’s and liked to spend time out in the sun. She had a nice makeup artist but in her images she ran the risk of looking older than her age. I know how women are, if they have an album that has unflattering images of them in it, they won’t show it around. it will go in the closet under the board games. But if they look good chances are that she’ll show it around. In her particular case he skin hue made her a bit hard to work on. I fixed the image, and then I fixed them again and the effects were still noticeable. It took a while but once I figured out how to work on one of her images I was able to fix them all. She wrote me back when she go the album and said I LOVE IT!!!!!
My philosophy on retouching goes like this “I want people to look like themselves, only better.” What I mean is that if people look at your images and think “Oh, that’s not what you looked like, you’ve been Photoshoped” then your wedding day story looses credibility. So, I am very careful to not overdo a retouch to the point that it’s obvious. My job is to enhance reality, not redecorate it!
Today’s model is the lovely Erin. Of course he beauty secret is having highly attractive parents giving her a wonderful genes. That’s 90% of it. Make up and other beauty secrets can only do so much, genetics help a lot. But hey, even my stunning brides need a little help.
The first thing I can tell you about this image is that it was no accident. After she was done getting dressed I picked out a spot where I knew the lighting was exceptional and I asked her to go to this location. I like doing the close-ups of the bride as soon as she gets dressed because I know that’s when her look will be the freshest . A lot of photographers would have chosen to blast her with on camera flash to get the shot and it wouldn’t be compelling, just flat boring lighting , Erin was this super thin, tiny gal who had lovely blue eyes and a cool swirl to her blond hair. I wanted the lighting to be perfect so that it gave dimensionality to her face and called attention to her eyes. The diagonal tilt of her head gave what is called :”The feminine pose.” The flowers in front of her and in her hair were her prop. The yellow in the flowers highlighted her blond hair. This actually all flowed together very nicely. From the way I describe it you may think that a lot of time went into this setup, and in reality it was around 20 seconds.
The image that came out of the camera is on the left. Was I happy with it? Yes, certainly. Could it be improved, most definitely. The first thing is that the lighting was very soft and very directional. As you can see on the image on the left she the lighting was exactly the same on the back of her head as it was on the flowers in front of her. This is large, flat lighting which is excellent for portrait work. It softens the skin and doesn’t throw any hard shadows. But, I felt that her lovely blond hair called too much attention to itself and distracted us from her eyes and face. The background was this taupe carpet. All in all it was a low contrast image. If I were to print this I would simply pump up the contrast a bit more before printing. But I am showing you what came out of the camera.
When I was thinking of making this print the first thing that came to mind was that the background wasn’t all that important. I could let it go dark and use it to pump up the contrast of her blond hair. The second thing was that I didn’t feel that we needed to see that all her hair was as equally blond from front to back. I wanted more lighting on the front of her face to call attention to her face
When it came to her skin well even with the semi flat lighting and low contrast I did notice some issues with her skin that would have made this an image she wouldn’t show in public. I blame my ultra sharp lens. Normally what I would do is paint off the highlights on her face and make her skin matte across the board. But I liked the shine on her face, it gave her a healthy glow. I wanted to give her skin a movie star quality to it. And lastly I wanted to give this image a little more power by pumping up her pretty blue eyes just a tad.
The image was used for a trade show booth as a way to grab people’s attention. You can see both extremes of the image. For an album we may not go quiet as far with this image. It really depends on the bride. It would make a compelling image in the bridal album for some brides while others would want a more natural, toned down looking version of themselves about half way between both images.





